The Spiritual in art : abstract painting 1890-1985 /
Traces the use of geometric signs by the Nabis and other French artists and relates this to the development of abstraction. The author describes some of the sources of ideas about the symbolism of geometric signs, in particular the writings of Helena P. Blavatsky, and traces the impact of these on t...
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Corporate Authors: | , , |
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Other authors / contributors: | , , |
Imprint: |
New York :
Abbeville Press,
©1986.
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Format: | Book |
Language: | English |
Subjects: | |
Acquisition Notes: | Gift of Anne d'Harnoncourt and Joseph Rishel |
MARC
LEADER | 00000cam a2200000 a 4500 | ||
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001 | 000007517 | ||
005 | 20221107154445.0 | ||
008 | 860604s1986 nyua bc 001 0 eng | ||
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020 | |a 0896596699 | ||
020 | |a 9780896596696 | ||
020 | |a 0875871305 |q (LACMA ; |q pbk.) | ||
020 | |a 9780875871301 |q (LACMA ; |q pbk.) | ||
020 | |a 0789200562 | ||
020 | |a 9780789200563 | ||
035 | |a (OCoLC)13793368 |z (OCoLC)17532352 |z (OCoLC)59410646 |z (OCoLC)1001193208 |z (OCoLC)1008307015 | ||
040 | |a DLC |b eng |c DLC |d PGC |d UBA |d GZT |d OCLCQ |d MUQ |d BAKER |d NLGGC |d BTCTA |d YDXCP |d IBS |d ZP2 |d WY@ |d ZWZ |d UKTTE |d UKV3G |d UKMGB |d GEBAY |d OCLCQ |d S3O |d DEBBG |d OCLCQ |d OCLCA |d OCLCF |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d SAP |d OCL |d OCLCA |d GILDS |d OCLCO |d BRL |d OCLCA |d BOS |d AZU |d XFF |d CPO |d OCLCA |d IL4J6 | ||
050 | 0 | 0 | |a ND192.A25 |b S6 1986 |
245 | 0 | 4 | |a The Spiritual in art : |b abstract painting 1890-1985 / |c Los Angeles County Museum of Art ; organized by Maurice Tuchman with the assistance of Judi Freeman, in collaboration with Carel Blotkamp [and others]. |
246 | 3 | 0 | |a Abstract painting 1890-1985 |
260 | |a New York : |b Abbeville Press, |c ©1986. | ||
300 | |a 435 pages : |b illustrations (some color) ; |c 28 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
500 | |a Exhibition schedule: Los Angeles County Museum of Art (opening Nov. 1986); Museum of Contemporary Art, Chicago; and Haags Gemeentemuseum, the Hague. | ||
590 | |a Library copy inscribed: "Anne Rishel / December 1986" | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Hidden meanings in abstract art / |r Maurice Tuchman -- |t Sacred geometry : French symbolism and early abstraction / |r Robert P. Welsh -- |t Annunciation of the new mysticism : Dutch symbolism and early abstraction / |r Carel Blotkamp -- |t Nature symbolized : American painting from Ryder to Hartley / |r Charles C. Eldredge -- |t Transcending the visible : the generation of the abstract pioneers / |r Sixten Ringbom -- |t The case of the artist Hilma af Klint / |r Åke Fant -- |t Esoteric culture and Russian society / |r John E. Bowlt -- |t Beyond reason : Malevich, Matiushin, and their circles / |r Charlotte Douglas -- |t Expressionism, abstraction, and the search for utopia in Germany / |r Rose-Carol Washton Long -- |t Mysticism, Romanticism, and the fourth dimension / |r Linda Dalrymple Henderson -- |t Arp, Kandinsky, and the legacy of Jakob Böhme / |r Harriett Watts -- |t Marcel Duchamp : alchemist of the avant-garde / |r John F. Moffitt -- |t Ritual and myth : native American culture and abstract expressionism / |r W. Jackson Rushing -- |t Abstract film and color music / |r William Moritz -- |t Concerning the spiritual in contemporary art / |r Donald Kuspit -- |t Occult literature in France / |r Geurt Imanse -- |t Occult literature in Russia / |r Edward Kasinec and Boris Kerdimun -- |t A glossary of spiritual and related terms / |r Robert Galbreath -- |t Chronologies : artists and the spiritual / |r Judi Freeman. |
530 | |a Also issued online. | ||
520 | |a Traces the use of geometric signs by the Nabis and other French artists and relates this to the development of abstraction. The author describes some of the sources of ideas about the symbolism of geometric signs, in particular the writings of Helena P. Blavatsky, and traces the impact of these on the Nabis, possibly through the stimulus of Gauguin whose paintings from his Brittany period encouraged a mystical conception of art in which sacred geometry figured as one component. He goes on to discuss in detail the paintings of Paul Serusier, Paul Ranson, Maurice Denis, Charles Filiger, Jean Delville, Frantisek Kupka and Mondrian. | ||
650 | 0 | |a Painting, Abstract |v Exhibitions. | |
650 | 0 | |a Painting, Modern |y 19th century |v Exhibitions. | |
650 | 0 | |a Painting, Modern |y 20th century |v Exhibitions. | |
650 | 7 | |a Painting, Abstract. |2 fast |0 (OCoLC)fst01050640 | |
650 | 7 | |a Painting, Modern. |2 fast |0 (OCoLC)fst01050988 | |
648 | 7 | |a 1800-1999 |2 fast | |
655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
655 | 7 | |a Exhibition catalogs. |2 lcgft | |
700 | 1 | |a Tuchman, Maurice. | |
700 | 1 | |a Freeman, Judi. | |
700 | 1 | |a Blotkamp, Carel. | |
710 | 2 | |a Los Angeles County Museum of Art. | |
710 | 2 | |a Museum of Contemporary Art (Chicago, Ill.) | |
710 | 2 | |a Haags Gemeentemuseum. | |
776 | 0 | 8 | |i Online version: |t Spiritual in art. |d New York : Abbeville Press, ©1986 |w (OCoLC)569582609 |
994 | |a C0 |b PMN | ||
956 | |a ADAM |c 20221114 |l PMA01 |h 1108 | ||
998 | |c GBE |f EXCH | ||
955 | |q Gift of Anne d'Harnoncourt and Joseph Rishel | ||
049 | |a PMNA | ||
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938 | |a Baker & Taylor |b BKTY |c 75.00 |d 56.25 |i 0789200562 |n 0003274630 |s active | ||
938 | |a Baker and Taylor |b BTCP |n 86014093 | ||
938 | |a YBP Library Services |b YANK |n 923507 | ||
938 | |a YBP Library Services |b YANK |n 1018305 | ||
852 | 0 | |a PPPM |b PMA |c MAIN |h ND196.A2 S64 LA County Mus . | |
852 | 0 | |b PMA |c MAIN |h ND192 .A25 |i S6 1986 | |
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952 | f | f | |p Can circulate |a PMA Library |b PMA Library |c PMA Library |d Main Stacks |t 0 |e ND192 .A25 S6 1986 |h Library of Congress classification |i book |m 31876002979504 |