Identity and alterity : figures of the body 1895/1995 : la Biennale di Venezia, 46. esposizione internazionale d'arte.

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Bibliographic Details
Corporate Authors: Biennale di Venezia, Palazzo Grassi, Museo Correr
Other authors / contributors: Brusatin, Manlio, 1943-, Clair, Jean, 1940-
Edition:1st ed.
Imprint: Venezia : La Biennale di Venezia : Marsilio, 1995.
Format: Conference Proceeding Book
Language:English
Italian
Subjects:
Acquisition Notes:Gift of Anne d'Harnoncourt and Joseph Rishel

MARC

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240 1 0 |a Identità e alterita.  |l English 
245 1 0 |a Identity and alterity :  |b figures of the body 1895/1995 : la Biennale di Venezia, 46. esposizione internazionale d'arte. 
250 |a 1st ed. 
260 |a Venezia :  |b La Biennale di Venezia :  |b Marsilio,  |c 1995. 
300 |a xxxi, 587 pages :  |b illustrations (some color) ;  |c 29 cm 
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500 |a Catalog of an exhibition held in Palazzo Grassi, Museo Correr, and Padiglione Italia, Giardini di Castello. 
500 |a "Catalogue edited by Manlio Brusatin and Jean Clair"--Page [viii]. 
504 |a Includes bibliographical references and index. 
505 0 |a Impossible Anatomy 1895-1995: Notes of the iconography of a world of technologies / Jean Clair -- Identity and Alterity. Looking at Objects / Claude Levi-Strauss. Artists and Group Portraits / Marc Fumaroli. Loving Statues / Maurizio Bettini. Deformities of the Face / Paolo Fabbri. Behind the Mirror. Notes from the Portrait in the Twentieth Century / Gunter Metken. The Body Beside Itself / Philippe Comar. A Made-to-measure Identity / Philippe Comar. Ars moriendi: Andres Serrano / Marcel Brisebois. Portrait, Mask, Hood. Otto Dix, Jean Helion, Philip Guston / Didier Ottinger. Sacrifice. Arnulf Rainer, Rudolf Schwarzkogler and Gunter Brus: Works on the Human Body / Cathrin Pichler. Imprints of Mind and Body. The Continuity and Change of the Ancient in the Modern / Adalgisa Lugli. Il Supremo Convegno: Body and Soul / Manlio Brusatin -- 
505 0 |a Il Supremo Convegno. I. Group Portraits. From the Academy to the Cafe. II. The Age of Positivism 1895-1905. From Callimetry to Metric Anthropology. Measurement of the Body. The Body in Motion. The Criminal Body: 'Genius and Madness'. The Discovery of the Invisible. 'Sight and its Unconscious'. Invisible Radiation: x-rays, Spiritistic Phenomena. The Sacred Made Manifest: The Holy Shroud. III. The Incoherence of the Avant-garde 1905-1915. A New Norm Beyond Norms. The Demands of Expressionism. Self-portraits. From the Expressionist Image to the Abstract Icon. IV. Towards a New Man? 1915-1930. The Beauty of the Machine. 'Tempests of Steel': The Great War. 'Ars moriendi'. An Impossible 'Call to Order'. V. Totalitarian Arts and Degenerate Art 1930-1945. Images of the Leader. A Chill Beauty. Eros and the Body in parts. Surrealism and 'Convulsive' Beauty. Self-portraits in the 1930s. VI. The Post-war Period 1945-1962. The Eclipse of the Face. On the Sidelines: The Unmanageable, the Resistant. 
505 0 |a VII. The Return of the Body 1962-1985. The Turning-point 1962-1973. 'Human Clay' 1973-1985. 'Ars amandi'. A Veiled and Unveiled Face. VIII. The Real and Virtual Body 1985-1995. IX. Imprints of Body and Mind. 
611 2 0 |a Biennale di Venezia  |v Exhibitions. 
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650 0 |a Art, Modern  |y 20th century  |v Exhibitions. 
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648 7 |a 1900-1999  |2 fast 
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700 1 |a Brusatin, Manlio,  |d 1943- 
700 1 |a Clair, Jean,  |d 1940- 
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710 2 |a Museo Correr. 
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