Marcel Duchamp /
"Genius, anti-artist, charlatan, guru, impostor? Since 1914 Marcel Duchamp has been called all these. No artist of the twentieth century has aroused more passion and controversy, nor exerted a greater influence on art, whose very nature Duchamp challenged and redefined as concept rather than pr...
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| Other authors / contributors: | , , |
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New York, N.Y. :
Thames and Hudson,
1999.
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| Format: | Book |
| Language: | English |
| Subjects: | |
| Acquisition Notes: | Purchased with the Gertrud A. White Memorial Fund |
| Series: | World of art.
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Table of Contents:
- Ch. 1. Origins
- ch. 2. Catholicism and the symbolist inheritance
- ch. 3. Passages
- ch. 4. Dry art, 'The Retinal Shudder' and the planning of the large glass
- ch. 5. The bride stripped bare by her bachelors, even (the Large Glass)
- ch. 6. Anti-art, Rrose Sélavy and surrealism
- ch. 7. The readymades and 'Life on Credit'
- ch. 8. Replicas, casts and the infra-thin
- ch. 9. Etant donnés
- Postscript. Duchamp after Duchamp.