The art of the Renaissance

"The Renaissance began in Italy, but it was not a purely Italian phenomenon. It grew out of European civilizatioin, with roots in antiquity, in Christian dogma, and in Byzantium. The authors follow this growth to the Florence of 1420 and the artistic ferment seething there, to the fascinating r...

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Bibliographic Details
Other authors / contributors: Murray, Peter, 1920-1992, Murray, Linda (Author)
Imprint: New York, Praeger [1963]
Format: Book
Language:English
Subjects:
Acquisition Notes:Gift of Anne d'Harnoncourt and Joseph Rishel
Series:Books that matter.

MARC

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245 1 4 |a The art of the Renaissance  |c [by] Peter and Linda Murray. 
260 |a New York,  |b Praeger  |c [1963] 
300 |a 286 pages  |b illustrations (some color), portraits (some color)  |c 22 cm 
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490 1 |a Books that matter 
505 0 |a The Renaissance / Humanism / Classical antiquity / Changing conceptions of Renaissnace / Historical background / The arts of Florence 1400-1450 / the International Gothic Style / the Heroic Style of Masaccio / Donanello / Ghiberti / Brunelleschi / Alberti / The Netherlands and Bohemia / the Soft Style / the Eyckian Revolution / Campin / the mid-century in Italy: Florence / Mantegna / Piero della Francesca / Siena / The mid-century in the Netherlands: Rogier van der Weyden / Bouts and Memlinc / France / Germany (Cologne) / Spain and Portugal / Austria / Printing and early illustrated books / engraving / Durer / Late Gothic / Hugo van der Goes / Bosch / Grunewald / Botticelli / Filippino / Piero di Cosimo / Leonardo da Vinci and the Milanese Renaissance / Perugino and Early Classicism / Ghirlandaio / Antonello da Messina / Venice / Bellini / The beginnings of the High Renaissance. 
520 |a "The Renaissance began in Italy, but it was not a purely Italian phenomenon. It grew out of European civilizatioin, with roots in antiquity, in Christian dogma, and in Byzantium. The authors follow this growth to the Florence of 1420 and the artistic ferment seething there, to the fascinating regional schools of Siena, Umbria, Mantua and Rome -- the magnet for every creative ambition through the influence of the great patron-Popes. Architecture, sculpture, painting, book illustration, and all the arts of design underwent the same transformation." [Back cover]. 
590 |a Library copy inscribed 
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