Conceptual art : theory, myth, and practice /
Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important prac...
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| Format: | Book |
| Language: | English |
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New York :
Cambridge University Press,
2004.
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| Subjects: |
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| 245 | 0 | 0 | |a Conceptual art : |b theory, myth, and practice / |c edited by Michael Corris. |
| 260 | |a New York : |b Cambridge University Press, |c 2004. | ||
| 300 | |a xiv, 365 pages : |b illustrations ; |c 26 cm | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : An invisible college in an Anglo-American world / Michael Corris -- The Formalist connection and originary myths of conceptual art / Frances Colpitt -- Content, context, and conceptual art : Dan Graham's Schema (March 1966) / Alex Alberro -- "Almost not photography" / Melanie Mariño -- Soft talk/soft-tape : the early collaborations of Ian Burn and Mel Ramsden / Ann Stephen -- The second degree : working drawings and other visible things on paper not necessarily meant to be viewed as art / James Meyer -- When attitudes become form and the contest over conceptual art's history / Alison M. Green -- Understanding information / Ken Allan -- "The rotting sack of humanism" : Robert Morris and authorship / Richard J. Williams -- Affluence, taste, and the brokering of knowledge : notes on the social context of early conceptual art / Robert Hobbs -- Hanne Darboven : seriality and the time of solitude / Briony Fer -- Art in the information age : technology and conceptual art / Edward A. Shanken -- The crux of conceptualism : conceptual art, the idea of idea, and the information paradigm / Johanna Drucker -- Conceptual work and conceptual waste / Blake Stimson -- Conceptual art and imageless truth / John Roberts -- Art & Language, New York, discusses its social relations in "The Lumpen-headache" / Christopher Gilbert -- Ian Burn's conceptualism / Adrian Piper. | |
| 520 | |a Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice. | ||
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