The body of Raphaelle Peale : still life and selfhood, 1812-1824 /

"The American Painter Raphaelle Peale (1774-1825) left a legacy of beautiful still lifes depicting objects such as fruit, vegetables, and meat. In this study, the first book-length exploration of the artist, Alexander Nemerov presents a new reading of these paintings focusing on the uncanny qua...

Full description

Saved in:
Bibliographic Details
Online Access:Contributor biographical information
Table of contents
Publisher description
Check for access via Internet Archive
Main Author: Nemerov, Alexander
Format: Book
Language:English
Published: Berkeley: University of California Press, c2001.
Series:Ahmanson Murphy fine arts imprint.
Subjects:
Description
Summary:"The American Painter Raphaelle Peale (1774-1825) left a legacy of beautiful still lifes depicting objects such as fruit, vegetables, and meat. In this study, the first book-length exploration of the artist, Alexander Nemerov presents a new reading of these paintings focusing on the uncanny quality of Raphaelle's still-life objects: their physical presence is not strictly their own but that of the artist's body. This imagery of embodiment, Nemerov argues, relates deeply to Raphaelle's own time.".
"The Body of Raphaelle Peale is a close reading not just of Raphaelle's paintings but also of the visual and intellectual culture of early-nineteenth-century Philadelphia to which they intimately relate. More broadly, the book presents a reading of romanticism in the American visual arts. Above all, it is an argument about selfhood in Raphaelle's era. Raphaelle focused - in paintings both playful and morbid - on the pleasures and horrors of being a mere body, of being less than a self."--BOOK JACKET.
Item Description:"Ahmanson-Murphy fine arts imprint."
Physical Description:xiv, 260 p. : ill. (some col.) ; 27 cm.
Bibliography:Includes bibliographical references (p. 239-247) and index.
ISBN:0520224981 (cloth : alk. paper)
9780520224988 (cloth : alk. paper)