The great image has no form, or On the nonobject through painting /
In premodern China, painters used imagery not to mirror the world, but to evoke unfathomable experience. Considering this art alongside the philosophical traditions that inform it, this book explores the 'nonobject', a notion exemplified by paintings that do not seek to represent observabl...
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| Main Author: | |
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| Other Authors: | |
| Format: | Book |
| Language: | English French |
| Published: |
Chicago :
The University of Chicago Press,
2009.
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| Subjects: | |
| Acquisition Notes: | Gift of Deena Gerson |
| LEADER | 02807cam a22005054a 4500 | ||
|---|---|---|---|
| 001 | 000177013 | ||
| 005 | 20120202163132.0 | ||
| 008 | 081208s2009 ilua b 001 0 eng c | ||
| 010 | |a 2008053136 | ||
| 020 | |a 9780226415307 (cloth : alk. paper) | ||
| 020 | |a 9780226415314 (pbk. : alk. paper) | ||
| 020 | |a 0226415309 (cloth : alk. paper) | ||
| 020 | |a 0226415317 (pbk. : alk. paper) | ||
| 035 | |a (OCoLC)291193339 | ||
| 040 | |a ICU/DLC |c DLC |d BTCTA |d UKM |d C#P |d COO |d PUL |d CGU |d STF |d VRC |d CDX |d YDXCP |d U5D |d IG# |d DEBBG |d MIX |d PMN | ||
| 041 | 1 | |a eng |h fre | |
| 042 | |a pcc | ||
| 050 | 0 | 0 | |a ND1040 |b .J8513 2009 |
| 100 | 1 | |a Jullien, François, |d 1951- | |
| 240 | 1 | 0 | |a Grande image n'a pas de forme ou Du non-objet par la peinture. |l English |
| 245 | 1 | 4 | |a The great image has no form, or On the nonobject through painting / |c François Jullien ; translated by Jane Marie Todd. |
| 246 | 3 | |a On the nonobject through painting | |
| 260 | |a Chicago : |b The University of Chicago Press, |c 2009. | ||
| 300 | |a xxiii, 263 p. : |b ill. (some col.) ; |c 24 cm. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Presence-absence -- From the foundation-fount of painting -- Vague-drab-indistinct -- The great image has no form -- Theory of the sketch -- Empty and full -- Not quitting, not sticking -- Quitting form to achieve resemblance -- The spirit of a landscape -- On the truth in painting -- Gaze or contemplation? -- Peindre n'est pas dépeindre -- Ink and brush, form and color -- What does painting write? -- Image-phenomenon: painting transformation and life. | |
| 546 | |a English translation from the original French and Chinese. | ||
| 520 | 8 | |a In premodern China, painters used imagery not to mirror the world, but to evoke unfathomable experience. Considering this art alongside the philosophical traditions that inform it, this book explores the 'nonobject', a notion exemplified by paintings that do not seek to represent observable surroundings. | |
| 650 | 0 | |a Painting, Chinese |x Philosophy. | |
| 650 | 0 | |a Aesthetics, Chinese. | |
| 650 | 0 | 7 | |a Malerei. |2 swd |
| 650 | 0 | 7 | |a Philosophie. |2 swd |
| 650 | 0 | 7 | |a Wahrnehmung. |2 swd |
| 651 | 7 | |a China. |2 swd | |
| 648 | 7 | |a Geschichte. |2 swd | |
| 700 | 1 | |a Todd, Jane Marie, |d 1957- | |
| 994 | |a C0 |b PMN | ||
| 956 | |c 20211018 |l PMA01 |h 0905 | ||
| 955 | |q Gift of Deena Gerson | ||
| 998 | |c KNW | ||
| 049 | |a PMNA | ||
| 852 | 0 | |b PMA |c MAIN |h ND1040 |i .J8513 2009 | |
| 930 | |m BOOK |1 PMA |a Philadelphia Museum Art |2 MAIN |b Stacks |h ND1040 |i .J8513 2009 |5 31876002353346 |u 20191031 |f 01 |f Circulates | ||
| 999 | f | f | |i b1d3e1fc-9562-577f-afa0-548890479b33 |s 287a73ac-111b-5c14-a200-1b251d3a5167 |
| 952 | f | f | |p Can circulate |a PMA Library |b PMA Library |c PMA Library |d Main Stacks |e ND1040 .J8513 2009 |h Library of Congress classification |i book |m 31876002353346 |