The art of mechanical reproduction : technology and aesthetics from Duchamp to the digital /

The purpose of this book is to explore the potential of new technological situations not only for attacking established aesthetical systems, but also for instituting new ones. This study shows how new artistic values may emerge directly from changing technological conditions, and how these new aesth...

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Bibliographic Details
Main Author: Trodd, Tamara Jane (Author)
Format: Book
Language:English
Published: Chicago ; London : University of Chicago Press, 2015.
Subjects:
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245 1 4 |a The art of mechanical reproduction :  |b technology and aesthetics from Duchamp to the digital /  |c Tamara Trodd. 
264 1 |a Chicago ;  |a London :  |b University of Chicago Press,  |c 2015. 
300 |a viii, 301 pages :  |b illustrations (chiefly color) ;  |c 27 cm 
336 |a text  |b txt  |2 rdacontent 
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337 |a unmediated  |b n  |2 rdamedia 
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504 |a Includes bibliographical references (pages 259-293) and index. 
505 0 |a Introduction. The art of mechanical reproduction -- Mnemotechnics. Oil-transfer -- Investing in drawing -- Apparatus -- Camera-seeing -- Seeing machines. The panorama device -- Collage -- Large Glass/shop window -- Ball-joint, Rotoreliefs, Guitar -- Camera vision. Painting shadows -- Automatic drawing -- Screening the body -- Screen memories -- Xeroxing the medium. Working drawings -- Mapping "systems" -- Photo-plus-text -- The dialectical image -- Painting at a standstill. Don't look now -- The stilled and moving image -- Pathos formulae -- Farewell to the machine age? The film machine -- Mechanical ballets -- Dean's telescope -- Film machines after film. 
520 |a The purpose of this book is to explore the potential of new technological situations not only for attacking established aesthetical systems, but also for instituting new ones. This study shows how new artistic values may emerge directly from changing technological conditions, and how these new aesthetics may offer us insights into our current technological situation, as well as insights into a possible future. These issues are explored through an examination of the art of mechanical reproduction, meaning both the transformation of art-making and viewing by new technologies, and the liquidation of inherited cultural tradition brought about by the advent of technological production and technologically supported mass culture in the early twentieth century. 
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