Sara VanDerBeek /
"Made with the camera's perspective in mind, Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing, and rhythm. Operating as sites of contact, her works position the archaeological past in direct dialogue with current form...
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| Online Access: | Digital bookplate |
|---|---|
| Other Authors: | , , |
| Format: | Book |
| Language: | English |
| Published: |
Ostfildern, Germany :
Hatje Cantz Verlag,
[2016]
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| Subjects: | |
| Acquisition Notes: | R. Sturgis Ingersoll Memorial Fund |
| LEADER | 02995cam a2200493Ii 4500 | ||
|---|---|---|---|
| 001 | 000197891 | ||
| 005 | 20161010170719.0 | ||
| 008 | 151231t20162016gw a b 000 0 eng d | ||
| 019 | |a 933568247 | ||
| 020 | |a 9783775741088 | ||
| 020 | |a 3775741089 | ||
| 035 | |a (OCoLC)933720277 |z (OCoLC)933568247 | ||
| 040 | |a BTCTA |b eng |e rda |c BTCTA |d BDX |d OCLCQ |d YDXCP |d OCLCO |d NMWMA |d NOC |d GZN |d EQO | ||
| 050 | 4 | |a TR655 |b .V363 2016 | |
| 082 | 0 | 4 | |a 709.2 |2 23 |
| 100 | 1 | |a VanDerBeek, Sara, |d 1976- |e artist. | |
| 245 | 1 | 0 | |a Sara VanDerBeek / |c edited by Gloria Sutton. |
| 264 | 1 | |a Ostfildern, Germany : |b Hatje Cantz Verlag, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 175 pages : |b color illustrations ; |c 30 cm | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Sculpture, Photography, Surface / Ina Blom -- Sara VanDerBeek in Conversation with Roxana Marcoci: On the Conditions of Photo-Based Culture. | |
| 520 | |a "Made with the camera's perspective in mind, Sara VanDerBeek's photographic and sculptural arrangements emulate a poet's economic use of structure, phrasing, and rhythm. Operating as sites of contact, her works position the archaeological past in direct dialogue with current forms of digital image capture and circulation. The subject of solo exhibitions at the Hammer Museum, the Whitney Museum of American Art, Museum Boijmans Van Beuningen, and the Baltimore Museum of Art, Sara VanDerBeek (*1976, New York) has been internationally recognized as a key progenitor of contemporary art's engagement with the medium of photography in an expanded field. This first book-length study distills dscrete bodies of work made between 2006 and 2016 that shift between the more controlled space of the studio and site visits to Detroit, New Orleans, Los Angeles, Rome, Paris, Naples, Ecuador, Rotterdam, and Baltimore."--Back cover | ||
| 600 | 1 | 0 | |a VanDerBeek, Sara, |d 1976- |
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 0 | |a Photography, Abstract. | |
| 700 | 1 | 2 | |a VanDerBeek, Sara, |d 1976- |t Works. |k Selections (2016) |
| 700 | 1 | |a Sutton, Gloria, |e editor. | |
| 700 | 1 | |a Marcoci, Roxana, |e interviewer. | |
| 700 | 1 | |a Blom, Ina, |e writer of added commentary. | |
| 856 | 4 | 1 | |u https://pmalibrary.org/bookplates/r-sturgis-ingersoll-memorial-fund/ |z Digital bookplate |
| 994 | |a C0 |b PMN | ||
| 956 | |c 20211018 |l PMA01 |h 0906 | ||
| 955 | |q R. Sturgis Ingersoll Memorial Fund | ||
| 998 | |c MSW | ||
| 049 | |a PMNA | ||
| 852 | 0 | |b PMA |c MAIN |h TR655 |i .V363 2016 | |
| 930 | |m MONO |1 PMA |a Philadelphia Museum Art |2 MAIN |b Stacks |h TR655 |i .V363 2016 |5 31876002732226 |u 20191031 |f 01 |f Circulates | ||
| 999 | f | f | |i a72c12a6-8c97-54c2-8bf6-90b8a4db7da3 |s 3cd701a5-5b8e-5b9a-81fc-18fd16ef3682 |
| 952 | f | f | |p Can circulate |a PMA Library |b PMA Library |c PMA Library |d Main Stacks |e TR655 .V363 2016 |h Library of Congress classification |i Monograph |m 31876002732226 |