A conversation with Marcel Duchamp : from NBC's Wisdom Series /
Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism...
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Corporate Authors: | , , |
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Imprint: |
New York, N.Y. :
Films Media Group,
[2010], ©1956.
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Format: | Video |
Language: | English |
Subjects: | |
Acquisition Notes: | Gertrud A. White Memorial Fund |
Series: | Wisdom series (Culver City, Calif.)
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245 | 0 | 2 | |a A conversation with Marcel Duchamp : |b from NBC's Wisdom Series / |c NBC News. |
260 | |a New York, N.Y. : |b Films Media Group, |c [2010], ©1956. | ||
300 | |a 1 videodisc (29 mins.) : |b sound, black and white. |c 4 3/4 in. | ||
336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
490 | 1 | |a The Wisdom Series: From the NBC Archives | |
500 | |a Encoded with permission for digital streaming by Films Media Group on December 03, 2010. | ||
500 | |a Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
505 | 0 | |a Marcel Duchamp: "The Large Glass" (1:56) -- Marcel Duchamp at Home in Philadelphia (1:30) -- Marcel Duchamp's Earliest Works (1:47) -- Duchamp Reinvents His Style (2:40) -- Duchamp's "Chocolate Grinder" (2:26) -- Duchamp's Daily Job (2:15) -- Painting for the Public (2:34) -- Marcel Duchamp on "Readymades" (1:37) -- Marcel Duchamp: 1923 Literary Movement (3:09) -- Duchamp Compares Life to Art (3:35) -- Duchamp's Valise (4:06) -- Credits and Wrap-up :A Conversation with Marcel Duchamp-From NBC's Wisdom Series (1:31). | |
520 | |a Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase ("I was not aware of Italian Futurism when I painted it") and The Large Glass ("The two crackings are symmetrically arranged and there is ... almost an intention there ... a ready-made intention, in other words, that I respect and love."). These concepts are paradoxically, although quite logically, articulated alongside his desire for "dryness" and mechanical precision. Viewers also gain insight into Duchamp's thoughts on painting for an "ideal" public - a notion he clearly distinguishes from ivory-tower elitism. | ||
521 | 2 | |a 9 & up. | |
546 | |a Closed-captioned. | ||
500 | |a Title from distributor's description. | ||
600 | 1 | 0 | |a Duchamp, Marcel, |d 1887-1968. |
650 | 0 | |a Art, American |y 20th century. | |
650 | 0 | |a Art, Modern |y 20th century |x History. | |
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655 | 7 | |a Internet videos. |2 lcgft | |
700 | 1 | |a Sweeney, James Johnson, ǂd 1900-1986. | |
710 | 2 | |a Films for the Humanities & Sciences (Firm) | |
710 | 2 | |a Films Media Group. | |
710 | 2 | |a NBC News. | |
776 | 0 | 8 | |i Originally produced: |d NBC News., 1956 |
830 | 0 | |a Wisdom series (Culver City, Calif.) | |
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