Invenit, incisit, imitavit : die Kupferstiche von Marcantonio Raimondi als Schlüssel zur weltweiten Raffael-Rezeption 1510-1700 /
Until the founding of the public museum in the 18th century, the works of Raphael were known to other artists almost exclusively from their transmission in etchings. Among these, the works of Raphaels contemporary Marcantonio Raimondi and his atelier were a critical factor in his reception. This pub...
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| Online Access: |
Digital bookplate |
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| Author / Contributor: | |
| Imprint: |
Berlin ; Boston :
De Gruyter,
[2016]
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| Format: | Book |
| Language: | German |
| Subjects: | |
| Acquisition Notes: | Henry Clifford Memorial Fund |
MARC
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| 050 | 0 | 0 | |a NE662.R3 |b K59 2016 |
| 100 | 1 | |a Knaus, Gudrun, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Invenit, incisit, imitavit : |b die Kupferstiche von Marcantonio Raimondi als Schlüssel zur weltweiten Raffael-Rezeption 1510-1700 / |c Gudrun Knaus. |
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a xii, 296 pages : |b illustrations (some color) ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Originally presented as the author's thesis (doctoral), 2011. | ||
| 504 | |a Includes bibliographical references (pages 277-294) and index. | ||
| 520 | |a Until the founding of the public museum in the 18th century, the works of Raphael were known to other artists almost exclusively from their transmission in etchings. Among these, the works of Raphaels contemporary Marcantonio Raimondi and his atelier were a critical factor in his reception. This publication examines Raimondis graphic art as a mediator for Raphaels work and an impetus for creative interest. | ||
| 505 | 0 | |a Methodische Grundlagen -- Die Zusammenarbeit von Raffael und Raimondi -- Kupferstiche als Künstlerische Vorbilder -- Die Rezeption der Kupferstiche Marcantonio Raimondis -- Parmigianino -- Das italienische Skizzenbuch von Anthonis van Dyck -- Nicolas Poussin und Raimondi -- Rembrandt und Raimondi -- Arten der Aneignung von Kupferstichen -- Schlussbemerkung: die Bedeutung der Kupferstiche Marcantonio Raimondis als internationale Vermittler der Bildschöpfungen Raffaels. | |
| 600 | 1 | 0 | |a Raimondi, Marcantonio, |d approximately 1480-approximately 1534 |x Criticism and interpretation. |
| 600 | 0 | 0 | |a Raphael, |d 1483-1520. |
| 650 | 0 | |a Engraving, Italian |y 16th century. | |
| 650 | 0 | |a Influence (Literary, artistic, etc.) | |
| 600 | 1 | 4 | |a Raimondi, Marcantonio, |d 1480/82-1527/34. |
| 600 | 0 | 4 | |a Raffael, |d 1483-1520. |
| 600 | 1 | 7 | |a Raimondi, Marcantonio, |d approximately 1480-approximately 1534. |2 fast |0 (OCoLC)fst01843083 |
| 600 | 0 | 7 | |a Raphael, |d 1483-1520. |2 fast |0 (OCoLC)fst00033853 |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a Engraving, Italian. |2 fast |0 (OCoLC)fst00912493 | |
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| 600 | 0 | 7 | |a Parmigianino |d 1504-1540 |2 gnd |0 (DE-588)118641484 |
| 600 | 1 | 7 | |a Poussin, Nicolas |d 1594-1665 |2 gnd |0 (DE-588)118596047 |
| 600 | 0 | 7 | |a Raffaello |c Sanzio |d 1483-1520 |2 gnd |0 (DE-588)118597787 |
| 600 | 1 | 7 | |a Raimondi, Marcantonio |d 1480-1534 |2 gnd |0 (DE-588)118787748 |
| 600 | 0 | 7 | |a Rembrandt |c Harmensz van Rijn |d 1606-1669 |2 gnd |0 (DE-588)11859964X |
| 650 | 7 | |a Rezeption |2 gnd |0 (DE-588)4049716-1 | |
| 648 | 7 | |a 1500-1599 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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