Cultural anthropophagy : the 24th Bienal de São Paulo 1998 /
The 24th Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of post-colonial globalisation. The show employed the Brazilian notion of anthropophagy as both concept and method; it encouraged 'contamination' and �...
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| Other authors / contributors: | , |
|---|---|
| Imprint: |
London :
Afterall, in association with the Center for Curatorial Studies, Bard College,
2015.
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| Format: | Book |
| Language: | English |
| Subjects: | |
| Acquisition Notes: | Acquired for the Global Art Forum |
| Series: | Exhibition histories.
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MARC
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| 245 | 0 | 0 | |a Cultural anthropophagy : |b the 24th Bienal de São Paulo 1998 / |c Lisette Lagnado and Pablo Lafuente (editors). |
| 264 | 1 | |a London : |b Afterall, in association with the Center for Curatorial Studies, Bard College, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 295 pages : |b illustrations (chiefly color), plans ; |c 22 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Exhibition histories | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Anthropophagy as cultural strategy: the 24th Bienal de São Paulo / Lisette Lagnado -- The 24th Bienal de São Paulo 1998. 'Representações nacionais' ('National representations') ; 'Arte contemporânea Brasileira" um e/entre outro/s' ('Brazilian contemporary art: one and/among other/s') ; 'Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros.' ('Routes. Routes. Routes. Routes. Routes. Routes. Routes.') ; 'Núcleo histórico: antropofagia e histórias de canibalismos' ('Historical nucleus: anthropophagy and histories of cannibalisms') ; Catalogue covers -- The epistemological leap of anthropophagy after the 24th Bienal de São Paulo / Mirtes Marins de Oliveira -- Out of the cantinho -- art education at the 24th Bienal de São Paulo / Carmen Mörsch and Catrin Seefranz -- The (re)turn of the anthropophagites: reconnecting Oswald de Andrade's proposal to Amerindian art-thought / Renato Sztutman -- Manifesto antropófago / Oswald de Andrade, 1928 -- Anthropophagite manifesto / Oswald de Andrade, 1928 -- Incomplete glossary of sources of Latin American art / Paulo Herkenhoff, 1993 -- Reporting from São Paulo, I'm from the United States: five broadcasts on the 24th Bienal de São Paulo / Andrea Fraser, 1998 -- Interviews. Andrea Fraser in conversation with David Morris ; Dias & Riedweg in conversation with Line Ellegaard -- Afterword: For what, for whom / Pablo Lafuente. | |
| 520 | |a The 24th Bienal de São Paulo remade art history from a Brazilian perspective, and presented a new model for exhibition-making in the era of post-colonial globalisation. The show employed the Brazilian notion of anthropophagy as both concept and method; it encouraged 'contamination' and 'cannibalisation' of the canon and attempted to rethink the role of exhibition-based education. Detailed documentation reconstructs the Bienal, with extensive analysis provided by Lisette Lagnado. Further contributions are made by Dias & Riedweg, Andrea Fraser, Paulo Herkenhoff, Pablo Lafuente, Mirtes Marins de Oliveira, Carmen Mörsch and Catrin Seefranz, and Renato Sztutman-- Back cover. | ||
| 611 | 2 | 0 | |a Bienal Internacional de São Paulo |n (24th : |d 1998) |
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| 650 | 0 | |a Art, Modern |y 20th century |v Exhibitions. | |
| 650 | 7 | |a Art, Modern. |2 fast |0 (OCoLC)fst00816615 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 700 | 1 | |a Lafuente, Pablo, |e editor. | |
| 700 | 1 | |a Lagnado, Lisette, |d 1961- |e editor. | |
| 830 | 0 | |a Exhibition histories. | |
| 994 | |a C0 |b PMN | ||
| 956 | |c 20211018 |l PMA01 |h 0906 | ||
| 955 | |q Acquired for the Global Art Forum | ||
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| 852 | 0 | |b PMA |c MAIN |h N6488 .B7 |i S23 2015 | |
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