Picturing war in France, 1792-1856 /
"From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an i...
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Access full-text online via A&AePortal |
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| Author / Contributor: | |
| Imprint: |
New Haven :
Yale University Press,
[2017]
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| Format: | Electronic |
| Language: | English |
| Subjects: |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Hornstein, Katie, |e author. |0 http://id.loc.gov/authorities/names/n2016050511 |1 http://viaf.org/viaf/11147662977460551478 | |
| 245 | 1 | 0 | |a Picturing war in France, 1792-1856 / |c Katie Hornstein. |
| 264 | 1 | |a New Haven : |b Yale University Press, |c [2017] | |
| 300 | |a 1 online resource (ix, 197 pages) : |b 146 illustrations (chiefly color), color map | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 336 | |a still image |b sti |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/sti | ||
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| 504 | |a Includes bibliographical references (pages 175-190) and index. | ||
| 520 | |a "From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France, 1792-1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict"--Publisher's description | ||
| 588 | 0 | |a Print version record and online resource (A and AePortal, viewed on July 1, 2019). | |
| 505 | 0 | |a Cover; Half Title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; Chapter 1. Visual Participation by Proxy in the Revolutionary and Napoleonic Wars; Chapter 2. A Crowd Favorite: War Imagery and Politics by Other Means in the Restoration; Chapter 3. A Mighty Recasting: War Imagery during the July Monarchy; Chapter 4. The Promise of Something More: The Crimean War and â#x80;#x9C;New Mediaâ#x80;#x9D; of the Nineteenth Century; Conclusion; Notes; Illustration Credits; Index. | |
| 945 | |a A&AePortal | ||
| 650 | 0 | |a Napoleonic Wars, 1800-1815 |v Art and the war. | |
| 650 | 0 | |a Crimean War, 1853-1856 |v Art and the war. | |
| 650 | 0 | |a Art and war. |0 http://id.loc.gov/authorities/subjects/sh85007979 | |
| 647 | 7 | |a War of the First Coalition |d (1792-1797) |2 fast |0 (OCoLC)fst00925736 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9k8fCxxvWD78y69VK | |
| 647 | 7 | |a War of the Second Coalition |d (1798-1801) |2 fast |0 (OCoLC)fst01110553 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9fKCDC77kwWxvk7Gb | |
| 647 | 7 | |a Napoleonic Wars |d (1800-1815) |2 fast |0 (OCoLC)fst01032683 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vB9BhDmCy7g3tvdH9hb | |
| 647 | 7 | |a Crimean War |d (1853-1856) |2 fast |0 (OCoLC)fst00883120 |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBb3bgHgJF7Dfcmvyfy | |
| 655 | 0 | |a Electronic books. |0 http://id.loc.gov/authorities/childrensSubjects/sj2021061050 | |
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| 776 | 0 | 8 | |i Print version: |a Hornstein, Katie. |t Picturing war in France, 1792-1856. |d New Haven ; London : Yale University Press, [2017] |z 9780300228267 |w (DLC) 2017930841 |w (OCoLC)1002129873 |
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