Art and the French commune : imagining Paris after war and revolution /
"In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--The need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune...
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| Online Access: | Access full-text online via A&AePortal |
|---|---|
| Main Author: | |
| Format: | Electronic |
| Language: | English |
| Published: |
Princeton, N.J. :
Princeton University Press,
[1995]
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| Series: | Princeton series in nineteenth-century art, culture, and society.
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| Subjects: |
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| 100 | 1 | |a Boime, Albert, |e author. |0 http://id.loc.gov/authorities/names/n79122064 |1 http://viaf.org/viaf/84206195 | |
| 245 | 1 | 0 | |a Art and the French commune : |b imagining Paris after war and revolution / |c by Albert Boime. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c [1995] | |
| 264 | 4 | |c ©1995 | |
| 300 | |a 1 online resource (xiv, 234 pages) : |b 164 illustrations (some color), maps | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
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| 490 | 1 | |a The Princeton series in nineteenth-century art, culture, and society | |
| 504 | |a Includes bibliographical references (pages 209-224) and index. | ||
| 520 | |a "In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--The need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie"--Publisher's description. | ||
| 588 | |a Description based on print record and online resource (A&AePortal, viewed on September 18, 2019). | ||
| 505 | 0 | |a Cover Page -- Half-title Page -- Title Page -- Copyright Page -- Dedication Page -- Contents -- List of Illustrations -- Acknowledgments -- 1. Introduction -- 2. The Critical Reception -- 3. The Dislocating Impact of the Commune on the Impressionists -- 4. The Impressionist Agenda -- 5. Mapping the Terrain -- Epilogue: Georges Seurat's Un Dimanche a La Grande Jatte and Post-Commune Utopianism -- Appendix: On Olin Levi Warner's Draft of a Speech in Defense of the French Commune -- Notes -- Postscript -- Index | |
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| 650 | 0 | |a Modernism (Art) |x Political aspects |z France |z Paris |x History |y 19th century. | |
| 650 | 0 | |a Art |x Political aspects |z France |z Paris. | |
| 650 | 0 | |a Art and state |z France |z Paris. | |
| 650 | 0 | |a Impressionism (Art) |z France |z Paris. | |
| 651 | 0 | |a Paris (France) |x History |y Commune, 1871 |x Influence. | |
| 651 | 0 | |a Paris (France) |x Intellectual life |y 19th century. |0 http://id.loc.gov/authorities/subjects/sh96002248 | |
| 647 | 7 | |a Commune |c (Paris, France : |d 1871) |2 fast |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBbd6qyYDw36Tm4kJhb | |
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| 776 | 0 | 8 | |i Print version: |a Boime, Albert. |t Art and the French commune. |d Princeton, N.J. : Princeton University Press, ©1995 |z 0691029628 |w (DLC) 94005324 |w (OCoLC)30816375 |
| 830 | 0 | |a Princeton series in nineteenth-century art, culture, and society. |0 http://id.loc.gov/authorities/names/n92091118 | |
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