Globalizing impressionism : reception, translation, and transnationalism /
"In this collection of 14 essays, a distinguished group of scholars deploy new methodological tools, theories, and paradigms to explore how impressionism as an artistic language simultaneously operated locally, nationally, and internationally around the world; how Europe, especially Paris, has...
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| Online Access: |
Access full-text online via A&AePortal |
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| Other authors / contributors: | , |
| Imprint: |
New Haven :
Yale University Press,
July 2020.
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| Format: | Electronic |
| Language: | English |
| Subjects: |
| Summary: | "In this collection of 14 essays, a distinguished group of scholars deploy new methodological tools, theories, and paradigms to explore how impressionism as an artistic language simultaneously operated locally, nationally, and internationally around the world; how Europe, especially Paris, has existed as a privileged center of modernity and modern art; how a transnational network of artists, critics, scholars, curators, and dealers worked across linguistic, institutional, geographical, and political boundaries; and much more. These texts, while not abandoning France and French impressionism, contribute to the ongoing work to dismantle the franco-centrism of impressionism studies and the anglocentrism of art history as a discipline"--Publisher's description. |
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| Physical Description: | 1 online resource : 92 illustrations |
| ISBN: | 9780300247756 0300247753 |
| Source of Description, Etc. Note: | Description based on online resource (A&AePortal, viewed on August 17, 2020). |