Classical art and the cultures of Greece and Rome /
This text argues that the study of classical art provides a unique window into the minds of the Greeks and Romans for whom it was produced. He provides an account that ranges from the Greek dark ages to the Christianisation of Rome.
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Access full-text online via A&AePortal |
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| Author / Contributor: | |
| Imprint: |
New Haven :
Yale University Press,
[1999]
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| Format: | Electronic |
| Language: | English |
| Subjects: |
MARC
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| 100 | 1 | |a Onians, John, |d 1942- |1 https://id.oclc.org/worldcat/entity/E39PBJkHrDbFqGTPKv4GVyfyVC |0 http://id.loc.gov/authorities/names/n88021208, |e author |1 http://viaf.org/viaf/110359944 | |
| 245 | 1 | 0 | |a Classical art and the cultures of Greece and Rome / |c John Onians. |
| 264 | 1 | |a New Haven : |b Yale University Press, |c [1999] | |
| 264 | 4 | |c ©1999 | |
| 300 | |a 1 online resource (xiii, 306 pages) : |b 239 illustrations (some color), map, plans | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 336 | |a still image |b sti |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/sti | ||
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| 504 | |a Includes bibliographical references (pages 290-293) and index. | ||
| 505 | 0 | 0 | |t The Culture of the Greek Workshop -- |t Man as Raw Material -- |t The Body and Its Tools -- |t Military and Civil Crafts -- |t Greek Art and the Culture of Conflict -- |t The General as Craftsman and the Soldier as Artefact -- |t The Necessity of the Phalanx -- |t The Iliad: Women at Home, Men at War -- |t War and Art: The 'Military' Style of Pottery -- |t War and Art: Phalanx and Temple -- |t War and Philosophy: Kosmos and Harmonia -- |t War and Philosophy: The First 'Mathematicians' -- |t War, Mathematics and Art: The 'Square' Man -- |t Mathematical Art versus the Mathematical Army -- |t Plato and the Mathematical Guards -- |t The Power of Women and the Aesthetics of Peace -- |t Greek Art and the Culture of Competition -- |t Work and Competition -- |t Competition, Imitation and Improvement -- |t Competition: Its Organisation and Regulation -- |t Competition in Art -- |t Competition and the Rise of Classical Art -- |t Competition and Continuous Change -- |t The Intellectual Marketplace: Competitive Models -- |t The Intellectual Marketplace: Plato's Paradigm -- |t Isocrates and the Theory of Classical Culture -- |t Hellenistic Art and the Culture of Character -- |t Alexander: Paradigmatic Breaker of the Paradigm -- |t Alexander and Art -- |t Responses to the Paradigm -- |t The 'Modern' Artist -- |t 'Modern' Art -- |t The Patron, the Artist, the Model and the Viewer -- |t From the Viewer as Hero to the Viewer as Victim -- |t Man Caught in His Own Net -- |t Paradigms Packaged: Education and the Copy -- |t Athens, the Capital of Packaging -- |t Roman Art and the Culture of Memory -- |t The Instruments of Success -- |t Augury and Mapping. |
| 505 | 0 | 0 | |t Art and Memory -- |t Money, Monuments and Signs -- |t Monuments and Memory -- |t Vespasian's Architectural Memory System -- |t Money and Monuments in the Later Empire -- |t Memorials of the Dead -- |t Christianity: A Contract for the After-life -- |t The Sign of the Cross -- |t Rome and the Culture of Imagination -- |t Beyond Reason -- |t Metamorphosis and the Magic of Augustus -- |t Metamorphosis of Nature -- |t Metamorphosis and the History of Art -- |t Metamorphosis of Culture -- |t Roman Style as the Style of Transformation -- |t The Empire of the Imagination -- |t Rhetoric and the Education of the Imagination -- |t The Educated Imagination and the Work of Art -- |t Imagination and the Psychology of Perception -- |t From Images in Clouds to Pictures in Marble -- |t The Rise of the Imagination and Material Decline -- |t Dreams and Visions; Conversion and Transubstantiation -- |t The Culture of the Christian Church -- |t Closing the Schools -- |t The Christian and the External World -- |t The Christian and the Internal World -- |t Christian Building Blocks. |
| 520 | |a This text argues that the study of classical art provides a unique window into the minds of the Greeks and Romans for whom it was produced. He provides an account that ranges from the Greek dark ages to the Christianisation of Rome. | ||
| 588 | 0 | |a Description based on print record and online resource (A&AePortal, viewed on May 30, 2018). | |
| 945 | |a A&AePortal | ||
| 650 | 0 | |a Art, Classical. |0 http://id.loc.gov/authorities/subjects/sh85007611 | |
| 650 | 0 | |a Art and society |z Greece. | |
| 650 | 0 | |a Art and society |z Rome. | |
| 710 | 2 | |a Yale University Press, |e publisher. |0 http://id.loc.gov/authorities/names/n92085293 |1 http://viaf.org/viaf/121971897 | |
| 758 | |i has work: |a Classical art and the cultures of Greece and Rome (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdGGkqFwJ3g3k8JqCrVT3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Onians, John, 1942- |t Classical art and the cultures of Greece and Rome. |d New Haven : Yale University Press, ©1999 |w (OCoLC)40397640 |
| 856 | 4 | 0 | |u https://go.openathens.net/redirector/philamuseum.org?url=https://www.aaeportal.com/?id=-15987 |z Access full-text online via A&AePortal |
| 938 | |a Internet Archive |b INAR |n classicalartcult0000onia | ||
| 994 | |a 92 |b PMN | ||