Imprint 1971
Table of Contents:
“…Foreword -- Part 1: Background -- Origin and ancestry -- Talent -- Early education -- Borgonovo -- Stampa -- Maloja, Giovanni, Augusto, Alberto Giacometti -- Life patterns -- Stylistic heritage -- Part 2: Development -- Periods and subjects -- Introduction: Oeuvre; changing form-unchanging compositional idea -- 1914-1919-1924: Youth-the academy -- 1925-1930-1934: Mannered figures-visual models -- Figures in the post-Cubist manner (1925-1929) --
Surrealist visual models (1930-1932) -- Metaphors of a compositional idea (1932-1934) -- 1935-1940-1946: Art as a confrontation with reality and existence -- New beginning (1935-1940) -- Artwork as the appearance of reality (1940-1946) -- 1947-1951: Realizations in a massless, weightless style -- 1952-1956/1958-1965: Artwork as autonomous reality -- Artwork as an evocation of reality in imaginary space (1952-1956/1958) -- Crucial turning point (1956-1958) -- Artwork as a double of reality in real space (1958-1965) -- Part 3: Person, His Works, His Contemporaries -- Giacometti legend and Giacometti's statements -- Giacometti's "visions": art and reality; life and death -- Crisis as a literary prose -- Man alone facing the enormities of reality -- Man at zero on the space-time co-ordinates; reality cannot be understood, only described -- Documentary biography -- Notes -- List of illustrations -- Systematic bibliography -- Index -- Photo credits -- Acknowledgments.…”
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