Imprint 2005
Table of Contents:
“…Representing authentic surfaces for oil paintings: experiments with 18th- and 19th-century varnish recipes -- Sixteenth-century
portrait miniatures: key methodologies for a holistic approach -- Reconstruction of Albrecht Dürer's drawing machine -- A mediaeval colorant in the 17th century: turnsole -- Sources and preparatory drawing in post-Byzantine iconography (15th-19th century): reproducing the reverse imprint technique of transferring preparatory drawing -- Rembrandt and burnt plate oil: new observations and proposals on Rembrandt's painting medium -- Intrigues and trade in painting materials in 18th-century Havana -- Imitating ultramarine: artists' economies reconstructed -- Blue smalt lacquers on silver leaf: Baroque and Rococo polychromy in southern Germany -- Three-dimensional virtual restoration: techniques and case study -- Reconstructions of iron-gall ink recipes for the InkCor project -- Compatibility of contemporary pigments in mixtures --…”
Call Number:
Loading…
Located:
Loading…
Book
Loading…