Search Results - (expressionist OR impressionist)
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- Expressionism (Art)
- Art collections 7
- Art, German 7
- Prints 7
- Prints, German 7
- Painting, German 5
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- Criticism and interpretation 3
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- Painting, Modern 3
- Art, Modern 2
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An expressionist in Paris : the paintings of Chaim Soutine /
Imprint 1998Table of Contents: “…Silver -- Where Soutine belongs : his art and critical reception in Paris between the wars / Kenneth E. Silver -- An expressionist in New York : Soutine's reception in America at mid-century / Norman L. …”
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German expressionist prints : the Marcia and Granvil Specks Collection : Milwaukee Art Museum /
Imprint 2003Table of Contents: “…Wagner -- Observations on papers in the German expressionist prints collection of Marcia and Granvil Specks / James Deyoung.…”
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German expressionist painting /
Imprint 1974Table of Contents: “…Foreword to paperback edition -- Introduction -- Part One: Development in German esthetics relevant to the expressionist movement -- Art criticism and esthetic thought -- New responses to past styles -- Part Two: Panorama of German art around 1900 -- The sentiment of the classic -- Realism and Impressionism -- Regionalism, worpswede, and Paula Modersohn-Becker -- Jugendstil: a major source of expressionist painting -- Part Three: Die Br|cke -- The formation of the Br|cke -- The expansion of the Br|cke -- Development of the Br|cke from 1907 to 1910 -- Emil Nolde, 1907-1912 -- The Br|cke painters in Berlin -- Part Four: Expressionist trends in Vienna -- The Vienna secession, Klimt, and Schiele -- Oskar Kokoschka, 1905-1910 -- Part Five: The development of expressionism in Munich -- Munich at the turn of the century: Kandinsky's beginnings -- The new artists' association -- Der blaue reiter I -- Der blaue reiter II -- Esthetic theories of Wassily Kandinsky -- Part Six: The prewar years -- Controversies about the modern movement and its affirmation in the Sonderbund -- Der Sturm -- First German autumn salon -- The expressionist movement expands -- Journeys to exotic countries -- 1914 and after -- Conclusion.…”
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