Search Results - (peinture OR ((peintures OR pictures) OR pictures)) ((moderne OR modern ) OR (((moderns OR modernes) OR moderna) OR ((moderns OR modernes) OR moderna) ))
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- History 124
- Art, Modern 72
- Painting, Modern 58
- Art 49
- Criticism and interpretation 48
- Painting 47
- Motion pictures 45
- Art collections 40
- Themes, motives 27
- Photography, Artistic 22
- Art, American 21
- Influence 19
- History and criticism 18
- Painting, French 18
- Peinture 18
- Photography 18
- Modernism (Art) 16
- Painters 16
- Painting, European 16
- Private collections 16
- Art and society 14
- Expositions 14
- Painting, American 12
- Peinture moderne 12
- Art and motion pictures 10
- Catalogues d'exposition 10
- Exhibitions 10
- Histoire 10
- Sculpture 10
- Social life and customs 10
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Media studies : a reader
Imprint 2009Table of Contents: “…Mass culture as woman : modernism's other /…”
Access full-text online via JSTOR
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Collection David Weill
Imprint 1926Table of Contents: “…t. 1. Peintures (2 vols).--t. 2. Pastels, aquarelles, gouaches, tableaux modernes.…”
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1291
Catalogue of the summer exhibition : held at Arthur Tooth and Sons' Galleries ...
Imprint 1909Table of Contents: “…Exhibition of modern Dutch pictures -- Exhibition of water-colours -- Exhibition of water-colour drawings -- Exhibition of French pictures.…”
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1292
The troubled republic : visual culture and social debate in France, 1889-1900
Imprint 2004Table of Contents: “…Public health and private desire : exploring modernity and the erotic -- Picturing and policing the crowd -- The religious debate : representing faith, defining modernity -- "Always think about it; never discuss it" : imagery and the idea of revanche -- Reading the 1890s.…”
Access full-text online via A&AePortal
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A concise history of photography
Imprint 1965Table of Contents: “…The artistic achievements of photography. Pictures and their makers up to 1914 -- Pictures and their makers : the modern period.…”
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Man Ray portraits
Imprint 2013Table of Contents: “…Introduction: Icons of modern life / Marina Warner -- Man Ray in print / Terence Pepper -- Plates -- Chronology / Helen Trompeteler -- Further reading -- Picture credits.…”
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Mobilier et objets d'art des XVIIIe et XIXe siècles, art nouveau, art déco, céramiques, fin XIXe et XXe siècles.
Imprint 2003Table of Contents: “…Peinture -- Argenterie -- Céramiques: Art nouveau & divers, école de Sèvres, école de Saint Amand en Puisaye, ecole Parisienne, art déco, écoles estrangèrs, autour de 1950, école moderne et contemporaine -- Objets d'art -- Art déco, verrerie -- Bijoux -- Dessins & sculptures -- Mobilier & luminaires -- Mobilier ancien.…”
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Expressionism in art.
Imprint 1958Table of Contents: “…Evolution, tradition and progress -- Art just before expressionism -- The main path of modernism: theory -- Why expressionism? -- Attempts to explain form -- Picture-building: the frame, the field, and the movement-path -- Picture-building: how movement is created -- Picture-building: volume, space and tension -- Picture-building: color and texture -- Picture-building: decoration "flat" -- Abstraction and mysticism -- Feeling and meaning -- The arts other than painting.…”
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Propos de peintre; de David à Degas. Première série: Ingres, David, Manet, Degas, Renoir, Cézanne, Whistler, Fantin-Latour, Ricard, Conder, Beardsley, etc.
Imprint 1919Table of Contents: “…De Cézanne à Renoir.--Notes sur la peinture moderne.…”
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In another light : Danish painting in the nineteenth century
Imprint 2007Table of Contents: “…The making of a Danish tradition -- The Royal Academy in the Golden Age -- Rome as an international academy -- Picturing Denmark in the Golden Age -- Skagen and the modern breakthrough -- The free exhibition and the psychological breakthrough -- Hammershi and urban places.…”
Table of contents only
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Seurat and the Bathers
Imprint 1997Table of Contents: “…Seurat's Choices: The Bathers and its Contexts -- Adapting the Ideal -- Representing the Modern -- The 'Modern' Landscape -- 1884: Rejection and Response -- Characterising the Bathers -- The Echo of the Bathers -- Representing the Suburbs after 1884 -- The Continuity of the Classical.…”
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