Gretchen Bender

Gretchen Bender (1951 in Seaford, Delaware – December 19, 2004 in New York City) was an American artist who worked in film, video, and photography. She was from the so-called 1980s Pictures Generation of artists, which included Cindy Sherman, Robert Longo, Jack Goldstein, Laurie Simmons and Richard Prince, and who mixed elements of Conceptual Art and Pop Art using images from popular culture to examine its powerful codes.

Bender also designed the credits for the TV show ''America's Most Wanted'', which Roberta Smith of the ''New York Times'' suggested in 2004 "may have originated the rapid-fire hyper-editing now pervasive in film, television and video art." She also directed music videos for such musicians as Babes in Toyland; edited music videos directed by Robert Longo; and designed sets for choreographers Bill T. Jones and Molissa Fenley, including the former's ''Still/Here'' that ''New Yorker'' dance critic Arlene Croce condemned.

Her work is in the collections of the Museum of Modern Art in New York City, the Pompidou Center in Paris and the Menil Collection in Houston.

Bender is one of five artists that art historian Patrick Frank examines in his 2024 book ''Art of the 1980s: As If the Digital Mattered''. Provided by Wikipedia