Raphael, Dürer, and Marcantonio Raimondi : copying and the Italian Renaissance print /
"In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborat...
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| Format: | Electronic |
| Language: | English |
| Published: |
New Haven :
Yale University Press,
[2004]
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| Subjects: |